Just don’t forget about me, okay? I would never.
MAX CHAPMAN and CLANCE MORGAN in A League of Their Own (2022-)
DOCTOR WHO • S05E10 ❝Vincent and the Doctor❞
"In one of Africa’s last great wildernesses, a remarkable thing has happened—the scimitar-horned oryx, once declared extinct in the wild, is now classified only as endangered.
It’s the first time the International Union for the Conservation of Nature (IUCN), the world’s largest conservation organization, has ever moved a species on its Red List from ‘Extinct in the Wild’ to ‘Endangered.’
The recovery was down to the conservation work of zoos around the world, but also from game breeders in the Texas hill country, who kept the oryx alive while the governments of Abu Dhabi and Chad worked together on a reintroduction program.
Chad... ranks second-lowest on the UN Development Index. Nevertheless, it is within this North African country that can be found the Ouadi Rimé-Ouadi Achim Faunal Reserve, a piece of protected desert and savannah the size of Scotland—around 30,000 square miles, or 10 times the size of Yellowstone.
At a workshop in Chad’s capital of N’Djamena, in 2012, Environment Abu Dhabi, the government of Chad, the Sahara Conservation Fund, and the Zoological Society of London, all secured the support of local landowners and nomadic herders for the reintroduction of the scimitar-horned oryx to the reserve.
Environment Abu Dhabi started the project, assembling captive animals from zoos and private collections the world over to ensure genetic diversity. In March 2016, the first 21 animals from this “world herd” were released over time into a fenced-off part of the reserve where they could acclimatize. Ranging over 30 miles, one female gave birth—the first oryx born into its once-native habitat in over three decades.
In late January 2017, 14 more animals were flown to the reserve in Chad from Abu Dhabi.
In 2022, the rewilded species was officially assessed by the IUCN’s Red List, and determined them to be just ‘Endangered,’ and not ‘Critically Endangered,’ with a population of between 140 and 160 individuals that was increasing, not decreasing.
It’s a tremendous achievement of international scientific and governmental collaboration and a sign that zoological efforts to breed endangered and even extinct animals in captivity can truly work if suitable habitat remains for them to return to."
-via Good News Network, December 13, 2023
the HtN exchange between harrow and ortus leaves me weeping because. ortus was only a child during the creche massacre. he was left with no peers, no friends, with an abusive father pushing him to fulfil a role he was never going to be able to fill. and he grew up into an adult who did nothing as two children were hurt, beaten, poisoned, starved.
and harrow was a child deprived of nothing a child needs to live but everything they need to thrive. deprived of love, and care, and warmth and touch; born into a blood debt she can never hope to repay. it’s no suprise then that she grew into an angry and cruel creature who hurt others just because she could.
and their exchange abt this in HtN just gets me because. like.
ortus tells her he is sorry, because he was an adult and they were defenseless children, and he knows his parallel suffering cannot absolve him of his inaction. he knows he cannot change the past but he can stand for her now, and maybe that can still count for something. and harrow apologizes to ortus, because she realizes nothing, not even the hell of her childhood, will never excuse how she treated him. but she can honor him now, defend him now, belive him now.
im just. idk. something abt two people who were hurt, who are hurting, who hurt each other, coming together and saying that they will stop. that the cycle will not continue. even though nothing they do now can fix the cruelty of the past, even though they both know that whatever they do now could never even begin to tip any kind of cosmic scales; despite all of this, they will do right by each other now, even though it is too late. even in death and after it. weeping.
the first law of tragedies: the end is already written and inevitable. the second law of tragedies: your actions are all your own and you can choose to get off this ride whenever you want. the third law of tragedies: we both know that you are never going to do that.
The two best reasons to ship anything are:
1.Incredible deep and detailed narrative themes. The parallels that seem to hit just right, the narrative foils that they can be to each other, the intricate dynamic that's both extremely complex and easily understood. The juxtaposition between something that's harsh and undoubtedly toxic, with the softer undertones, the parts where you read in-between the lines and find a mutual feeling of loneliness from both parts, their intrinsic understanding of each other comes from the mere fact that they're each others mirrored reflections and shadows. In the end both sides will be together forever, and you as an audience can clearly see their tragedy laid out before in a path that blurs pure anguish and tender romance
2.It would be so fucking funny
the way ivan aivazovsky looks at the sea…i think…i think that’s what love looks like.
they/them, 20s | locked tomb brainrot
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