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More Posts from Homebayce and Others
“I’m interested in the idea that once you’ve read a poem you know all its lines at the same time.”
— Alice Notley, from her essay “Notes on ‘Runes and Chords’”, published in Poetry Foundation Blog, March 2021.
An aerial view of Rockefeller Center on March 1, 1937.
Photo: NY Daily News
Source details and larger version.
My modest collection of vintage watering cans may have a leak.
This Overview shows a deforested area of Santa Cruz, Bolivia. Since the mid-1980s, resettlement of people from the high plains of the Andes Mountains and a corresponding agricultural development effort known as the Tierras Bajas project has led to utter deforestation in this region. The pinwheel-patterned fields follow the San Javier resettlement scheme, with each pinwheel containing a central community that includes a church, bar/café, school, and soccer field. The light-colored areas of the formations are primarily fields of soybeans, and the dark lines running through the fields are “windbreaks” that prevent the erosion of the area’s unusually fine soil.
See more here: https://bit.ly/3r4P8V1
-16.622791°, -62.910703°
Source imagery: Planet
Raffaella De Laurentiis on working with sandworms in Dune, 1984.
“I read the poem of a student and in the poem God wandered through a room picking up random objects – a pear, a vase, a shoe – and in bewilderment said, ‘I made this?’. Apparently God had forgotten making anything at all. I awarded this poem a prize, because I was a judge of such matters. I was not really awarding the student, I was awarding God; I knew someday the student would pick up his old poem and say in bewilderment, ‘I made this?’, and at that moment his whole world would be lost in the twilight, and when you are finally lost in the twilight you can not judge anything.”
— “On Twilight,” Mary Reufle
