Late night conversations and realizations
so I made myself an alt for the express purposes of reblogging everything I find neat
because I'd like to keep this one a bit tidy, at least by focusing on reblogging only stuff I wholeheartedly adore *and* not completely bury my """own""" content or rambles
That said if you're interested in looking at me reblogging anything funny that moves, feel free to follow the alt : @nex-reblog-fest
stupid mondstadt found family!! thank u @nyacobell for writing like half of this i owe u my life
Me @ any couple irl tbh. Look, my relationship radar is nonexistent; either you get on one knee and propose right now in front of my eyes or you're just very good friends </3
The RWBY character ask still going on, don't hesitate to ask if you have nothing better to do <3 (it lets me organize my thoughts because when I'm not speaking I don't think apparently)
(i'm reposting instead of reblogging bc the original post is getting long, sorry)
Send me a RWBY character and I’ll tell you:
My fav ship(s) for the character
My least favorite ship(s) for the character
My fav & least fav platonic relationship(s) for the character
My favorite thing about the character
My biggest criticism for the character
When was their writing at the peak according to me (ex : best season)
A song I think fits them & why
A headcanon to make up about them
What I would change about them if I was making a re-write
My guess for their MBTI/Enneagram
One aspect that I think would be nice to delve deeper into ? (optional)
Piece by Piece - Kelly Clarkson
A song about the Xiao-Long & Branwen family
➸ Yang suffers from Raven's abandonment, knowing that her mother left and didn't consider her daughter important enough to *stay* for. For YEARS she knew nothing of her. And saying that Raven didn't want to want Yang seems pretty accurate.
➸ It's thanks to her father & uncle that Yang is so very aware of what love (actual love) is. It's why Yang is so different from Raven, why she cares so much and isn't impressed by Raven's attempts at "kindness". She wanted to know her mother & why she left. But after years and years wondering... the time to "come back" is long lost. Yang is far from impressed by Raven's philosophy.
➸ All in all, it's clear that if Yang is so well-adjusted most of the time it's because she had her own family, without Raven, that she could always count on. Her father who, having given up on the Hunter life, took care of his daughters & loved them as best as he could. Her uncle who, unlike his twin, chose to STAY as much as he was allowed. A credit to how fiercely Qrow loves as well, that shows how different the twins are.
➸ Raven might have abandonned Yang, but Yang isn't planning on doing the same. She'll be there for Ruby as much as possible, and she can feel safe in the knowledge that Tai & Qrow will always be there for the both of them as well.
Fruits Basket is not about “the power of unconditional love”
People say a lot of things about Fruits Basket and its themes and Tohru as a character. They say it’s about “the power of love” or the importance of “unconditional love” or “love and forgiveness”. Then they say that Tohru as the main character exemplifies these themes.
But let’s really think about this.
Fruits Basket is not about the power of love, or unconditional love, or forgiveness.
Now Fruits Basket does have a lot to say about empathy, but it says both positive and negative things about it, and at most it is one subtheme of the larger themes of the narrative.
People will say Furuba is about “love and forgiveness” and even just the positive side of “empathy” because they see this as what Tohru displays. Particularly they feel this is what Tohru displays as her “saving power” in the first climatic moment of the story’s end where she talks to Akito and offers her a hand in friendship.
But “unconditional love” or “forgiveness” isn’t what Tohru has going for her in this scene that allows for such a powerful start of a resolution with Akito’s character. Nor is it ultimately empathy. Yes, Tohru has a lot of empathy for Akito in this scene, but as stated above, this is at best a subtheme of something larger going on that is the much more powerful play in the story.
The true crux of this moment in the story is that Tohru relates to Akito. That of course leads to understanding, which leads to empathy, but it’s what Tohru relates to Akito about which is the main driving theme and purpose of the scene and the overall narrative of Furuba.
Firstly, let’s acknowledge that Tohru isn’t empathizing with Akito in this scene simply because she has some otherworldly power that makes her “unconditionally love” even the most awful of villains. She relates to Akito because she isn’t relating to her as a “villain”, she’s relating to her as herself. Tohru is seeing herself as a villain and understanding her own flaws through Akito. Tohru is having a moment of personal development and growth as she faces down Akito with a knife - Tohru’s focus is as much on herself as it is on Akito. This is even more clear in the manga where these scenes between the two of them have tons of internal dialog from Tohru, where the bulk of it is about her own issues currently going on (with Kyo and her mother) and very little about Akito in front of her. She is talking to herself as she talks to Akito. Tohru is only able to understand where Akito is coming from at this moment because she recognizes that she has been coming from the same place - the untenable desire to hold onto unconditional and everlasting bonds.
Now let’s talk about that theme. “The untenable desire to hold onto unconditional and everlasting bonds”. Note the word “unconditional”. Now there are a lot of dimensions to the Bond, but one key piece is that the Bond in Fruits Basket is an “unconditional love”. The Zodiac are bonded to (and love) God no matter what God does. There is also bitterness and hatred there after years and years and being bound by this feeling. But that “unconditional love” is supposed to overpower all other conditions - bitterness, oppression, abuse, desire, freedom, individuality. And it does. That’s why the Bond works, because it demands “unconditional love” from it’s members, and is set up to enforce it as the primary feeling they experience.
So saying that Fruits Basket is about the “(positive) power of unconditional love” could not be further from the truth. Saying that this what Tohru “saves” Akito with could not be further from the truth. The story recognizes that which is unconditional and everlasting as something negative - love included - and, ultimately, impossible. The love between God and the Zodiac. The love Tohru tried to create between herself and her deceased mother. Tohru doesn’t reach Akito through a display of “unconditional love”. She reaches Akito through a recognition and a mutual acknowledgement that “unconditional love” does not exist.
“It is terrifying to exist in this world, with no guarantee that I’ll be loved”.
When Tohru offers Akito her hand in friendship, she is showing her that relationships (love) do not have to be unconditional in order to exist. At first, Akito rejects Tohru, saying that the first time she does anything undesirable, Tohru will reject her. Tohru doesn’t say anything and she doesn’t object to what Akito has said. She simply offers her hand again. She is not telling Akito that “I will accept you no matter what” - she is telling Akito that even without a guarantee, it is worth a try. That things don’t have to be unconditional and everlasting and frozen in time in order to exist or be worthwhile. Akito is terrified that if she leaves one absolute (the Bond and the love it guarantees her) then she can only possibly be met with the opposite absolute (no bond, no relationships, and no love ever in her life). Tohru is showing her that this isn’t true. Right here, now, she is offering Akito a chance to form a new relationship - one that may be imperfect, conditional, and limited in scope and time, but nevertheless real.
This is what Fruits Basket is about. It is about ambiguity and change. It is about the lack of guarantees. The existence of both light and dark. The fallacy of absolutes. The false dichotomies we let rule our lives.
So there is no absolute love. There is no absolute forgiveness. There is no absolute empathy. Tohru is not a character who, in the end, embodies any of those things. Tohru embodies hope in impermanence and the importance of change - and only after she’s learned to embrace those things herself when her character has been fighting against them for so long, just like Akito. - Mod Red (Christa)
^^^ This
Like, if someone wants to make a Dumbledore comparison; one of the main difference between these two is that Dumbledore always wanted power and was lured by it, he tried to keep out of his hands because he knew he would cling to it if it was given.
Oz was several times given power, and each time he gave it away willingly. As Ozma 2.0, when he realized that things weren't working out for humanity. As the old wizard, because he realized humanity still had hope even when he lost it and he wanted to express gratitude to the four sisters. As the King of Vale, after years of war to establish peace, because he never wanted that power for himself and gave it away to establish a government as soon as possible. As Ozpin himself, because he trusted Qrow & Raven to help, and thus he gave them shapeshifting powers even if his magic was dangerously dwindling.
Oz only ever takes up positions of power to have the power to help and enact positive change, and he never struggled to give up that power when it was needed or simply the right thing to do.
No shade, you can do whatever you want with your fanon, but the idea of Ozpin only ever wanting power is just so hilarious to me, because i mean have you seen how he dresses
IT'S JUST
IDK
I can't imagine someone who chooses to dress like this only caring about power
THEY'RE BABIES YOUR HONOR !!!
wooo v8 pog
I must say I'm not pleased by the amount of Ozpin bashing I'm seeing during vol 9. This ain't the show's, fault, it's the viewers not understanding shit.
Specifically that the leader speech that Ozpin gave Ruby and fucked her up (and the same Ruby gave to Jaune, fucking HIM up in turn) is one that he also applies to himself 100%. We saw the consequences of that in vol 6, now we're seeing the consequences for Ruby and Jaune now.